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Posts Tagged ‘Fine Art Photography’

Not just Pretty Pictures / Vetted Artwork for Display

I greatly appreciate all of the positive comments on the images I post via social media. Today’s post is a gentle reminder that the work, which has been widely published, exhibited, awarded and collected, is available as framed (or behind acrylic) prints for residential, corporate, healthcarePair 1and even yacht display. Working with Interior Designers, Art Buyers and sometimes clients themselves, I have developed a process by which the images can be viewed in any space first by virtual reality (adding several choices onto a photo of a blank wall to see how it would eventually look). This has also allowed me to do projects around the U.S. from my base in South Florida.Pair 3I have enclosed a few samples of installations, some of which have been accomplished as mentioned above, others which contain work that has been chosen directly from my website: https://www.barrystevengreff.com Pair 4.jpgSo for future reference, whenever you come across a blank wall, imagine the possibilities of hanging an iconic image there and what it can ultimately do to create a beautiful, impactful space.

That being said, here’s to hanging with you someday:)

 

Varying Techniques used to Photograph Supermoons Over the Years

supermoon is a full moon (opposite Earth from the sun) that closely coincides with perigee – the moon’s closest point to Earth in its monthly elliptic orbit. When the moon always swings farthest away from Earth once each month; that point is called apogee. These perigee, or

Nuclear SuperMoon 0387 Horiz Final 1000wNuclear Supermoon

supermoons, result in what seems like a larger-than-usual apparent size as viewed from Earth. There are 4-6 supermoons a year on average and can cause real physical effects, such as

Reflected in Water_0397 1000wSupermoon Reflected

larger-than-usual tides. From a photographic standpoint, supermoons also take on a deep reddish tint as they rise from the horizon, lightening in color to yellow and/or tan and then, eventually

IMG_9711 Allure and Supermoon FINAL 2 lite 1000Supermoon and Cruise Ship

to the regular, although a bit brighter, white. Due to the unique nature of this phenomenon, I have tried to capture supermoons in various ways over the years. In order of presentation here:

img_9699-crop-1000Supermoon and Distant Bird

(1.) has an effect similar to a nuclear explosion as the moon seems to be exploding from the horizon, (2.) within a second or two after that, the moon has risen above the horizon and

Best BW Birds on Crane_0190 crop Horiz FINALBirds Eye View

leaves a glint of reflection underneath, (3.) a cruise ship’s embarkation timed to pass the supermoonrise, (4.) a dusk supermoon also has a very distant bird silhouetted against the

Super Moon 0084_FINAL_Crop Landscape38 Clouded Supermoon at Dusk

bottom, left corner,(5.) several birds silhouetted against a blurred, high rising moon offers another take on how to capture the scene. Finally (6.) a clouded moon framed as it rises between the silhouette of two trees at dusk.

Clearly, the phenomenon offers countless possibilities to capture a…super image.

 

BSG: International Exposure / SILVERSHOTZ Cover & Feature Portfolio

Barry Steven Greff  has received significant International exposure, chosen for the COVER and 16 image feature interior portfolio of the SILVERSHOTZ November 2017 issue. Published in Australia and England, Silvershotz, THE CONTEMPORARY PHOTOGRAPHY MAGAZINE showcases “the best photographic images from around the world. Curatorial selection is made by ChimpCover

experienced editors to ensure international standards are achieved.” As featured inside:

African Crowned Crane text crop

Barry greatly appreciates the honor, support and exposure as provided by the Editor extraordinaire of SILVERSHOTZ, Clive Waring-Flood. Subscribtions to this gorgeous on-line magazine, including access to all past issues and annual print issue can be purchased at: SILVERSHOTZ.(14 Day Free Trial available).

Barry Steven Greff – USA

 

OF THE WILD

Of the Wild is a series of intimate, close-up animal portraits in various forms of captivity that are found behind bars or enclosures. They are protected from the viewer and the viewer is protected from them. Greff’s images capture the life force that is simultaneously controlled, yet untamed. He is drawn to animal’s eyes, which is what draws the viewer into the frame. The framing device jolts the viewer from reading the image as a cliché. By abstracting the eye or face from the rest of the body, Greff forces an intimate exchange of energy and focus between the image and the viewer. These images make us confront the dignity, personality and identity of these magnificent creatures and remind us why; they too, so desperately need our protection.

A life in photography

Greff grew up on Long Island, New York and his family travelled often, and always had cameras with them. In addition to snapshots of the family, the photo albums contained landscape images depicting the locations visited. This immersion into photography at an early age continued with his first camera; a Kodak Instamatic with flash cubes. Eventually he moved to Miami, Florida for college and began renting underwater photo equipment to shoot in the Florida Keys. He graduated to Minolta film cameras and began shooting sea, land, cityscapes and wildlife images. Eventually, his love for photography caused him to enter into magazine competitions. After winning his first competition and seeing the images published, he was hooked.

Fine art and commercial

Greff has managed to combine his love for photography to produce fine art prints, of what he calls the ethereal sea, plus intimate portraits of animals and jellyfish. His work has been published in many of the reputable Fine Art magazines. He uses the strong work ethic of honesty and professionalism he learned growing up to make sure that all of his dealings wholly satisfy the collectors or art buyers that ultimately obtain his work.

Although the images project well on-line, the museum/gallery quality of the work, including the sharpness of detail and perfection of printing, becomes apparent in the enlarged Fine Art prints. That same insistence on quality shows through in the timeliness of delivery and reproduction of his licensed advertising images. Greff is based in Weston, Florida and available for commercial commissions; some of his clients include Ogilvy and Mather, Canon USA and Berkshire House Publications.

What a Difference a Day Makes / Hurricane Irma’s Wrath

What a difference a day makes…The image below was created on a beautiful evening in Coconut Grove at Florida’s Dinner Key Marina. The water was perfectly calm and the sailboats were lit by natural light from a full moon… Fast forward to Sunday as Hurricane Irma came ashore on the

Moonlit Sailboats_0708 at 1000wMoonlit Sailboats, Coconut Grove, FL 2010 / ©Barry Steven Greff

west coast of Florida some 100 miles across the state on Marco Island. Notwithstanding how far away the eye of the hurricane was, her intensity and strength had significant impact on much of the east coast because the storm stretched further than the width of the State itself. Below are a couple of news images of what Dinner Key now looks like after the storm. The moorings of the

TMS Mike Stocker 2

sailboats that were secured specifically for the storm, were no match for her. The winds and surge of the water dislodged many of the boats with some of them winding up on the shore as seen above while others capsized in the water.

As a resident of a state that has gone through many hurricanes, Floridians are a resilient bunch. No doubt, given enough time, Dinner Key will once again be restored to its natural splendor.  It’s been done before and… I’m sure it will be done again.

You can help those affected by the storm by contacting the Red Cross at 1-800-HELP NOW or online at: http://rdcrss.org/2y1q1VV 

 

BSG Featured in Photo District News September Print Issue

Photo District News (PDN), the award-winning monthly magazine for the professional photographer, has been covering the professional photographic industry for over three decades. No other brand covers professional photography like Photo District News. A trusted, unbiased Cover

Ad FINAL

Cab Ride in the Rain, NYC, NY 2009 (Featured in the Issue)

source of news and info on photography for over 30 years. Every month, PDN magazine delivers unbiased news and analysis, interviews, photography portfolios, and information photographers need to survive in a competitive business.

PDNonline covers breaking news stories and delivers in-depth features on the photo industry, including interviews and profiles, reports on new products, and information on useful sources for professional photographers. PDNOnline’s photo essays and galleries explore the work of photography’s masters and today’s emerging talent.

Subscribe at: http://pdnonline.com/      Additional work can be viewed at: http://www.barrystevengreff.com and http://www.adventuresfrombehindtheglass.com

 

 

Categories: Cityscapes, Lifestyles

_________________INDEPENDENCE DAY 2016__________________

“Whose broad stripes and bright stars, Through the perilous fight, O’er the ramparts we watched, Were so gallantly streaming”..More stars than in 1814 when Francis Scott Key wrote those words, but this is my version of the image upon which they are based.

Flag Full

Broad stripes and bright stars, so gallantly streaming, 2014

 Here’s to independence….it cannot be overrated.

Diary of a Fine Art Print / Amongst other things, it’s all in the Details

Niagara                                                                  Niagara, 2006

Niagara people and bird

(Cropped portion of people and bird from- Niagara, 2006)

The discussion as to what makes a Fine Art photograph is one for the ages. I have long respected the genre and have worked diligently to hone my craft. Although there are various definitions of what makes a photograph fine art, I subscribe to a more tradional theory that such an image is created with an aesthetic intention, that the value lies primarily in its beauty, rather than for journalistic, editorial or commercial purposes. I also believe that the image should tell a story, be unique, iconic, powerful…or all of the above. As beauty lies in the eye of the beholder, so goes a fine art photograph which usually entails vetting by those respected in the field. Knowing this, I fearlessly spent my early years placing my work in front of some of the most well respected photographers, gallerists, curators and collectors in the business. With the help of their support, the work was widely published in fine art magazines, exhibited in galleries across the U.S. and over time, a significant resume was built.

I believe that one of my signature images, Niagara, clearly exemplifies these equalities (shot from atop a hotel two miles away to capture this angle)… It has countinously been singled out by many of those alluded to above, in that the composition juxtaposing the grandeur of the falls with the minutia of the toursists indicates just how small we humans are in comparison to the forces of Mother Nature.

After getting past the composition (and then lighting, both of which cannot be adequately discussed in a blog post, if at all), I personally take significant pride in capturing the exacting details of a scene, whether it be the people in this image or the fine feathers in one of my close-up animal portraits.

Then, finally, and consistent with the teachings of the great Ansel Adams himself, capturing the image is only one half of the process. The printing (again, not something that can be covered here), is crucial to the creation of a fine art photographic print. Being true to the process, I hand print each of my images (up to 17″ x 22″) on a professional Epson 3800 printer using Hahnemuhle Fine Art Pearl paper and I personally oversee the larger prints to make sure they are color correct (again, another significant concern for another day) and that they print without a single unexpected blemish.

Finally, I pride myself on the key details of my images being “tack” sharp, as exemplified by the enlarged cropped portion of the image above. Although some of the older images can go only so far, as a perfectionist, I have gone through an entire roll of paper (athough thankfully not often) in order to ultimately create a single large print for a collector, and to my exacting standards. When a gallerist who regularly sells the work of masters such as Ansel Adams and Edward Weston calls my prints “magic,” I know that I am doing something right.

Hence, there are many sources by which one can obtain a Fine Art print. I simply offer one that is created in my mind’s eye…and always from my heart. It is universally accepted that the first rule of collecting fine art photographyy is to actually enjoy the work. Hence, I strive to create images that make the viewer not only think…but feel, and I have been honored to have satisfied a wide array of selective collectors, and look forward to doing so for many others in the future.

 

 

 

 

 

 

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