I have been communicating and connecting on LinkedIn with many Interior Designers as of late.We have been discussing residential and commercial properties… and in my humble opinion, so often, I see a beautiful project with perfect lighting and spectacular design, yet there is
Peacock Triptych, 2015
Flamingo Triptych, 2014
something missing. To me, the pièce de résistance should be impactful Fine Art Photography that brings the space together. Images, that by themselves, evoke an unsolicited “wow” response from the viewer. Imagery that the visitor will think about well after they have left the property…and that they will long remember, as well as where they saw them.
Contact us directly at: email@example.com… to discuss your next unforgettable project, additionl images for which can be viewed at: http://www.barrystevengreff.com
After a slow burn, no matter how long it takes, there must come a time to cool off and start a new cycle. It’ never easy, it’s not inevitable but it is necessary to avoid the alternative.
Tequila Sunset, 2014
So, whether actually physically ready or not, at least we must try to power the mind through… toward a new beginning. For if you don’t, you will only continue on, like the recent past, and reach a dead end…..and at least for me, I have never been good at dead ends, there’s nothing to see, nothing to photograph, nothing to create…only death and end, both too finite for my tastes.
So here it goes toward pushing through, to realizing, at least first mentally, that all bad must come to an end at some time and a new day must soon begin. …Here’s hope.
To that end, sometimes starting over, an image does not have to involve alot in order to evoke emotion. Sometimes going back to simple positioning, if not pure contrast and searing color, and nothing else, can get your point across. You don’t have to over do it…just do it right.
For me, in the past, nothing cures the blues, or brings you right into them, like a walk out on the pier at night. No matter what time of year, there is ususally a nice breeze blowing and once out toward the end you are walking just above the ocean waves.
Lit Pier, Deerfield Beach, FL, 2014
If you are lucky during the summer months you might see some lightnining strikes out at sea, but whatever time of year you head out, you are sure to take a mental break from whatever is happening in your life at the time as the sea flows around you.
So, in order to cure the blues, head straight for them…the deep dark blues…and hopefully you can accomplish this and ..still stay dry.
“Whose broad stripes and bright stars, Through the perilous fight, O’er the ramparts we watched, Were so gallantly streaming”..More stars than in 1814 when Francis Scott Key wrote those words, but this is my version of the image upon which they are based.
Broad stripes and bright stars, so gallantly streaming, 2014
Here’s to independence….it cannot be overrated.
River of Grass, Florida Everglades, 2009
Towering Inferno, Florida Everglades 2007
“In the days of my youth, I was told what it means to be a man.
Now I’ve reached that age, I’ve tried to do all those things the best I can.
No matter how I try, I find my way into the same old jam”..
Good Days Bad Days,
Says it all…I got nothin’ else.
Magnum Editors recognize BSG’s jellyfish image:”Ascension” from his FLOW series in their Magnum Photos Award Competition Gallery 2016
Magnum Photos is historically, one of the most well respected names in photography. It is an international photographic cooperative owned by its photographer-members, with offices in New York, Paris, London and Tokyo.
According to its co-founder (and one of the great photoraphers of our time), Henri Cartier-Bresson “Magnum is a community of thought, a shared human quality, a curiosity about what is going on in the world, a respect for what is going on and a desire to transcribe it visually.”
The iconic Robert Capa, Cartier-Bressson and a few other founding members created Magnum http://www.magnumphotos.com/ in Paris in 1947. Over time it has continued operating by its roster of members who are some of the greatest names in the history of photography, such as Ansel Adams, Eve Arnold, Cornell Capa, Bruce Davidson, Elliot Erwitt, Ernst Haas, Dorothea Lange, Mary Ellen Mark, Steve McCurry, James Natchwey, Martin Parr, W. Eugene Smith, Alec Soth and Sebastio Salgado, to name a few.
For the Editors of this hallowed institution, who deal with such incredible photography each day, to recognize my work and prominently display it, is a great honor for which I am truly grateful.