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BSG: International Exposure / SILVERSHOTZ Cover & Feature Portfolio

Barry Steven Greff  has received significant International exposure, chosen for the COVER and 16 image feature interior portfolio of the SILVERSHOTZ November 2017 issue. Published in Australia and England, Silvershotz, THE CONTEMPORARY PHOTOGRAPHY MAGAZINE showcases “the best photographic images from around the world. Curatorial selection is made by ChimpCover

experienced editors to ensure international standards are achieved.” As featured inside:

African Crowned Crane text crop

Barry greatly appreciates the honor, support and exposure as provided by the Editor extraordinaire of SILVERSHOTZ, Clive Waring-Flood. Subscribtions to this gorgeous on-line magazine, including access to all past issues and annual print issue can be purchased at: SILVERSHOTZ.(14 Day Free Trial available).

Barry Steven Greff – USA

 

OF THE WILD

Of the Wild is a series of intimate, close-up animal portraits in various forms of captivity that are found behind bars or enclosures. They are protected from the viewer and the viewer is protected from them. Greff’s images capture the life force that is simultaneously controlled, yet untamed. He is drawn to animal’s eyes, which is what draws the viewer into the frame. The framing device jolts the viewer from reading the image as a cliché. By abstracting the eye or face from the rest of the body, Greff forces an intimate exchange of energy and focus between the image and the viewer. These images make us confront the dignity, personality and identity of these magnificent creatures and remind us why; they too, so desperately need our protection.

A life in photography

Greff grew up on Long Island, New York and his family travelled often, and always had cameras with them. In addition to snapshots of the family, the photo albums contained landscape images depicting the locations visited. This immersion into photography at an early age continued with his first camera; a Kodak Instamatic with flash cubes. Eventually he moved to Miami, Florida for college and began renting underwater photo equipment to shoot in the Florida Keys. He graduated to Minolta film cameras and began shooting sea, land, cityscapes and wildlife images. Eventually, his love for photography caused him to enter into magazine competitions. After winning his first competition and seeing the images published, he was hooked.

Fine art and commercial

Greff has managed to combine his love for photography to produce fine art prints, of what he calls the ethereal sea, plus intimate portraits of animals and jellyfish. His work has been published in many of the reputable Fine Art magazines. He uses the strong work ethic of honesty and professionalism he learned growing up to make sure that all of his dealings wholly satisfy the collectors or art buyers that ultimately obtain his work.

Although the images project well on-line, the museum/gallery quality of the work, including the sharpness of detail and perfection of printing, becomes apparent in the enlarged Fine Art prints. That same insistence on quality shows through in the timeliness of delivery and reproduction of his licensed advertising images. Greff is based in Weston, Florida and available for commercial commissions; some of his clients include Ogilvy and Mather, Canon USA and Berkshire House Publications.

BSG Recognized by 2017 International Color Awards

BSG Recognized in the 2017 International Color Awards

Pelican Rest 2010Pelican’s Rest, Biloxi, MS 2010

© Barry Steven Greff

THE 10th ANNUAL INTERNATIONAL COLOR AWARDS HONORS PHOTOGRAPHER BARRY STEVEN GREF FROM THE U.S.A.

LOS ANGELES (3/10/2017) – Professional photographer Barry Steven Greff of the U.S. A. was presented with the 10th Annual International Color Awards Nominee title in the category of Silhouette. The ICA is one of the industry’s most important events for color photography.

10th Annual Jury members included captains of the industry from Christie’s, New York; Contemporary Art Society, London; Sotheby’s, Paris; ING Collection, Netherlands; Y&R, Malaysia; Preus Museum, Norway; Art Beatus, Hong Kong; Ogilvy & Mather, Amsterdam; Whitechapel Gallery, London; and J. Walter Thompson, New York.

“It is an incredible achievement to be selected among the best from the 6,178 entries we received this year,” said Basil O’Brien, the awards Creative Director. Barry Steven Greff’s “Pelican’s Rest,” is an exceptional image entered in the Silhouette category and represents contemporary color photography at its finest.

INTERNATIONAL COLOR AWARDS is the leading international award honoring excellence in color photography. This celebrated event shines a spotlight on the best photographers worldwide and honors the finest images with the highest achievements in color photography. http://www.colorawards.com

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Contact: Barry Steven Greff
Telephone: 305.576.8400
Email: barrystevengreff@gmail.com
Website: http://www.barrystevengreff.com

America….My Country, Tis of Thee

Through the lunacy these days of our political “landscape” (pun intended), it is crucial for us all to remember the simple basics for which we stand. From the physical beauty of our land to the inner

12-nubble-light-72

Nubble Light, York, Maine 2004

beauty of so many of our good people, it is a national pride that should join us all. To me, these classic images created along the coast of Maine are the epitome of the feeling of Americana. The commonly shot Nubble Light above was perfectly lit at low tide when I came upon it while two seabirds were circling the tiny island that sits 100 yards off of Cape Neddick Point.

I watched as the two birds circled, and timed the shot so that one bird fit the composition of the scene in the sky while the other blended into the image just above the little red shed.

20-days-end-new-england-crop-72

New England Light, Maine Coast 2004

The bottom image was shot at dusk in what was again, perfectly warm New England light. The tiny white specs on the rocks and in the water are seabirds settling in for the night.

I will never forget stopping to ask directions from a local to the best place to eat lobster. He was out for an evening walk and did everything short of drawing me a map, going well out of his way to make sure that I knew exactly where I was going before I pulled off.

To me, these are true examples of America…and, btw, the lobster was unbelievable.

Patterns in Nature / Seeing is Believing / Sometimes…Less is More

Circumstances beyond my control have kept me from creating new work for a while, so I have been reaching into my archives, which are very deep. This post is about seeing patterns in

img_9951Flamingo Feathers, 2013

nature. When I would look at a scene to photograph, I crop it in my mind to create the maximum impact. The flamingo’s feathers were all that were required here to showcase an example of the beauty of natural patterns. In the image below the patterns of this spider web became more

web-bw-9280-crop-417

Beaded Web, Weston, FL 2011

pronounced by the beaded drops of water after a light rain. Again, although the web spanned between two fence posts in my backyard, omitting them from the composition made the image.

The lesson…sometimes less is more.

BSG’s “Niagara” Recognized in Photo +, PDN’s 2016 EXPOSURE Awards

This week I am honored to have my image “Niagara” chosen as the winner in the “Natural Forces” category in Photo+, Photo District News’ (PDN’s) sixth annual EXPOSURE Photograhy Awards. Billed as a “global celebration of photography,” it truly was as winners of other categories hailed from: INDIA, LONDON, BANGLADESH,  SAMOA, SOUTH KOREA, AUSTRALIA, CANADA, BRAZIL,

force-of-nature-niagara-final-72-1000

NiagaraNiagara, 2006

JAPAN, ITALY, BAVARIA, HUNGARY, NORWAY, FRANCE, PUERTO RICO, RUSSIA and PORTUGAL.

To see the other honored images visit: EXPOSURE Awards

As always, I greatly appreciate the recognition.

NATURAL DESIGNS/ Birds of a Feather / COLOR ACCENT A PROJECT

I have been communicating and connecting on LinkedIn with many Interior Designers as of late.We have been discussing residential and commercial properties… and in my humble opinion, so often, I see a beautiful project with perfect lighting and spectacular design, yet there is

8 Flamingo Reflected 8065_edited-1 copy215Peacock Triptych, 2015

8 Flamingo Triptych216 Flamingo Triptych, 2014

something missing. To me, the pièce de résistance should be impactful Fine Art Photography that brings the space together. Images, that by themselves, evoke an unsolicited “wow” response from the viewer. Imagery that the visitor will think about well after they have left the property…and that they will long remember, as well as where they saw them.

Contact us directly at: barrystevengreff@gmail.com… to discuss your next unforgettable project, additionl images for which can be viewed at: http://www.barrystevengreff.com

Categories: Animals, Nature, Wildlife

Diary of a Fine Art Print / Amongst other things, it’s all in the Details

Niagara                                                                  Niagara, 2006

Niagara people and bird

(Cropped portion of people and bird from- Niagara, 2006)

The discussion as to what makes a Fine Art photograph is one for the ages. I have long respected the genre and have worked diligently to hone my craft. Although there are various definitions of what makes a photograph fine art, I subscribe to a more tradional theory that such an image is created with an aesthetic intention, that the value lies primarily in its beauty, rather than for journalistic, editorial or commercial purposes. I also believe that the image should tell a story, be unique, iconic, powerful…or all of the above. As beauty lies in the eye of the beholder, so goes a fine art photograph which usually entails vetting by those respected in the field. Knowing this, I fearlessly spent my early years placing my work in front of some of the most well respected photographers, gallerists, curators and collectors in the business. With the help of their support, the work was widely published in fine art magazines, exhibited in galleries across the U.S. and over time, a significant resume was built.

I believe that one of my signature images, Niagara, clearly exemplifies these equalities (shot from atop a hotel two miles away to capture this angle)… It has countinously been singled out by many of those alluded to above, in that the composition juxtaposing the grandeur of the falls with the minutia of the toursists indicates just how small we humans are in comparison to the forces of Mother Nature.

After getting past the composition (and then lighting, both of which cannot be adequately discussed in a blog post, if at all), I personally take significant pride in capturing the exacting details of a scene, whether it be the people in this image or the fine feathers in one of my close-up animal portraits.

Then, finally, and consistent with the teachings of the great Ansel Adams himself, capturing the image is only one half of the process. The printing (again, not something that can be covered here), is crucial to the creation of a fine art photographic print. Being true to the process, I hand print each of my images (up to 17″ x 22″) on a professional Epson 3800 printer using Hahnemuhle Fine Art Pearl paper and I personally oversee the larger prints to make sure they are color correct (again, another significant concern for another day) and that they print without a single unexpected blemish.

Finally, I pride myself on the key details of my images being “tack” sharp, as exemplified by the enlarged cropped portion of the image above. Although some of the older images can go only so far, as a perfectionist, I have gone through an entire roll of paper (athough thankfully not often) in order to ultimately create a single large print for a collector, and to my exacting standards. When a gallerist who regularly sells the work of masters such as Ansel Adams and Edward Weston calls my prints “magic,” I know that I am doing something right.

Hence, there are many sources by which one can obtain a Fine Art print. I simply offer one that is created in my mind’s eye…and always from my heart. It is universally accepted that the first rule of collecting fine art photographyy is to actually enjoy the work. Hence, I strive to create images that make the viewer not only think…but feel, and I have been honored to have satisfied a wide array of selective collectors, and look forward to doing so for many others in the future.

 

 

 

 

 

 

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