Archive
What a Difference a Day Makes / Hurricane Irma’s Wrath
What a difference a day makes…The image below was created on a beautiful evening in Coconut Grove at Florida’s Dinner Key Marina. The water was perfectly calm and the sailboats were lit by natural light from a full moon… Fast forward to Sunday as Hurricane Irma came ashore on the
Moonlit Sailboats, Coconut Grove, FL 2010 / ©Barry Steven Greff
west coast of Florida some 100 miles across the state on Marco Island. Notwithstanding how far away the eye of the hurricane was, her intensity and strength had significant impact on much of the east coast because the storm stretched further than the width of the State itself. Below are a couple of news images of what Dinner Key now looks like after the storm. The moorings of the
sailboats that were secured specifically for the storm, were no match for her. The winds and surge of the water dislodged many of the boats with some of them winding up on the shore as seen above while others capsized in the water.
As a resident of a state that has gone through many hurricanes, Floridians are a resilient bunch. No doubt, given enough time, Dinner Key will once again be restored to its natural splendor. It’s been done before and… I’m sure it will be done again.
You can help those affected by the storm by contacting the Red Cross at 1-800-HELP NOW or online at: http://rdcrss.org/2y1q1VV
BSG Recognized by 2017 International Color Awards
BSG Recognized in the 2017 International Color Awards
Pelican’s Rest, Biloxi, MS 2010
© Barry Steven Greff
THE 10th ANNUAL INTERNATIONAL COLOR AWARDS HONORS PHOTOGRAPHER BARRY STEVEN GREF FROM THE U.S.A.
LOS ANGELES (3/10/2017) – Professional photographer Barry Steven Greff of the U.S. A. was presented with the 10th Annual International Color Awards Nominee title in the category of Silhouette. The ICA is one of the industry’s most important events for color photography.
10th Annual Jury members included captains of the industry from Christie’s, New York; Contemporary Art Society, London; Sotheby’s, Paris; ING Collection, Netherlands; Y&R, Malaysia; Preus Museum, Norway; Art Beatus, Hong Kong; Ogilvy & Mather, Amsterdam; Whitechapel Gallery, London; and J. Walter Thompson, New York.
“It is an incredible achievement to be selected among the best from the 6,178 entries we received this year,” said Basil O’Brien, the awards Creative Director. “Barry Steven Greff’s “Pelican’s Rest,” is an exceptional image entered in the Silhouette category and represents contemporary color photography at its finest.”
INTERNATIONAL COLOR AWARDS is the leading international award honoring excellence in color photography. This celebrated event shines a spotlight on the best photographers worldwide and honors the finest images with the highest achievements in color photography. http://www.colorawards.com
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Contact: Barry Steven Greff
Telephone: 305.576.8400
Email: barrystevengreff@gmail.com
Website: http://www.barrystevengreff.com
America….My Country, Tis of Thee
Through the lunacy these days of our political “landscape” (pun intended), it is crucial for us all to remember the simple basics for which we stand. From the physical beauty of our land to the inner
Nubble Light, York, Maine 2004
beauty of so many of our good people, it is a national pride that should join us all. To me, these classic images created along the coast of Maine are the epitome of the feeling of Americana. The commonly shot Nubble Light above was perfectly lit at low tide when I came upon it while two seabirds were circling the tiny island that sits 100 yards off of Cape Neddick Point.
I watched as the two birds circled, and timed the shot so that one bird fit the composition of the scene in the sky while the other blended into the image just above the little red shed.
New England Light, Maine Coast 2004
The bottom image was shot at dusk in what was again, perfectly warm New England light. The tiny white specs on the rocks and in the water are seabirds settling in for the night.
I will never forget stopping to ask directions from a local to the best place to eat lobster. He was out for an evening walk and did everything short of drawing me a map, going well out of his way to make sure that I knew exactly where I was going before I pulled off.
To me, these are true examples of America…and, btw, the lobster was unbelievable.
The Art of the Sea from the Motion of the Ocean
When most people look at the ocean they see the waves as they ebb and flow. Although most find it enjoyable to the senses, something additional happens to me. I tend to follow the actions of the
Ebb and Flow, Deerfield Beach 2013
waves as they come ashore and then again as they retreat back out. I also gravitate to those sea shores that contain rocks, piers or any other solid structures around which the water must traverse. I visually slow the motion of the water down in my mind’s eye and foresee the beautiful form it takes as it surrounds the rocks or pylons in its way.
Time and Tide Wait For No Man, Deerfield Beach, FL 2013
Using a tripod during the dawn or dusk hours I can capture the slowed down motion of the water as it crests and eventually hits the beach and returns from whence it came. Seeing the scene in advance helps me create the final image and timing is everything.
I am sure that for all eternity, one of my favorite forms of art…will be that of the Sea.
After the Storm / Surf’s Up / Time to Shoot
As indicated in the last post, as a long time resident of South Florida, if you pay attention to the local media broadcasts, you can maintain a pretty good idea as to what, if any, effects a storm will have on your area.
Goodnight Irene, Deerfield Beach, FL 2011
As often happens, it is not until late in the game that the storm takes a wobble one way or another. Matthew went 30 miles west just before passing South Florida, resulting in 100 miles between the eye and us. That turned out to be good news for our area, only downing some branches, and the occasional tree uprooted by a strong gust.
Sunrise after Sandy, Stuart, FL 2012
Notwithstanding, in the past I have gone to the beach to shoot after the danger has subsided and created some classic images. The sky is eerily beautiful and the waves are always strong (hopefully not too strong because the storm surge is often as damaging as the wind).
Not feeling up to it this time, here are a few from some former storms. Until the next one.
Cure the Blues with a long, dry walk into the Ocean / Lit Pier
For me, in the past, nothing cures the blues, or brings you right into them, like a walk out on the pier at night. No matter what time of year, there is ususally a nice breeze blowing and once out toward the end you are walking just above the ocean waves.
Lit Pier, Deerfield Beach, FL, 2014
If you are lucky during the summer months you might see some lightnining strikes out at sea, but whatever time of year you head out, you are sure to take a mental break from whatever is happening in your life at the time as the sea flows around you.
So, in order to cure the blues, head straight for them…the deep dark blues…and hopefully you can accomplish this and ..still stay dry.
Photo District News recognizes BSG’s Lightning, Outer Banks, NC 2005
Photo District News (PDN) is the award-winning magazine for the professional photography industry whose on-line presence is Photoserve.com http://bit.ly/1zmIcPX
The PhotoServe newsletter goes out every month to over 15,000 industry creatives. As a photographer (or creative), a subscription to PDN is essential to keeping your pulse on the photo industry.
Considering the quality of imagery in PDN on a regular basis, I’m honored to have my image “Lightning, Outer Banks, NC” chosen as one of their Top 10 images of June 2016.
Lightning, Outer Banks, NC 2005
The image, which is the most powerful bolt of lightning I have ever seen captured on film, was created under some unique circumstances. We were visiting the quaint city of New Bern http://www.visitnewbern.com/ which served as the capital of the North Carolina colonial government, then briefly as the state capital. After visiting places where historical figures such as George Washington, John Adams and Alexander Hamilton had slept, I wanted to visit the famous Outer Banks.
This being before the days of Mapquest, I thought it was going to be a quick day trip and didn’t even bring my tripod. After a two hour drive just to get there, then realizing it would take a day to drive the Banks and explore https://www.outerbanks.org/, I found a hotel on the beach. That night, a thunder storm that shook the building brought me out to the balcony to improvise in an attempt to capture some of the continuous lightning strikes. Using a cloth on the balcony railing, I set up the composition, stabilized the camera enough to leave the shutter open and watched the storm move until…bam, this incredible bolt hit beautifully composed behind the life guard stand. The fact that everything in the image is “tack” sharp, including the lightning hitting the water, as the sawgrass blows slightly in the wind, is extremely fortunate and makes this an iconic, beautiful large print for display.
So, thanks again to PDN for the recognition, and if anyone is interested in having an image on their wall…that will definitely blow everyone away, reach out through http://www.barrystevengreff.com or barrystevengreff@gmail.com
