BSG Recognized in the 2017 International Color Awards
Pelican’s Rest, Biloxi, MS 2010
© Barry Steven Greff
THE 10th ANNUAL INTERNATIONAL COLOR AWARDS HONORS PHOTOGRAPHER BARRY STEVEN GREF FROM THE U.S.A.
LOS ANGELES (3/10/2017) – Professional photographer Barry Steven Greff of the U.S. A. was presented with the 10th Annual International Color Awards Nominee title in the category of Silhouette. The ICA is one of the industry’s most important events for color photography.
10th Annual Jury members included captains of the industry from Christie’s, New York; Contemporary Art Society, London; Sotheby’s, Paris; ING Collection, Netherlands; Y&R, Malaysia; Preus Museum, Norway; Art Beatus, Hong Kong; Ogilvy & Mather, Amsterdam; Whitechapel Gallery, London; and J. Walter Thompson, New York.
“It is an incredible achievement to be selected among the best from the 6,178 entries we received this year,” said Basil O’Brien, the awards Creative Director. “Barry Steven Greff’s “Pelican’s Rest,” is an exceptional image entered in the Silhouette category and represents contemporary color photography at its finest.”
INTERNATIONAL COLOR AWARDS is the leading international award honoring excellence in color photography. This celebrated event shines a spotlight on the best photographers worldwide and honors the finest images with the highest achievements in color photography. http://www.colorawards.com
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Contact: Barry Steven Greff
Through the lunacy these days of our political “landscape” (pun intended), it is crucial for us all to remember the simple basics for which we stand. From the physical beauty of our land to the inner
Nubble Light, York, Maine 2004
beauty of so many of our good people, it is a national pride that should join us all. To me, these classic images created along the coast of Maine are the epitome of the feeling of Americana. The commonly shot Nubble Light above was perfectly lit at low tide when I came upon it while two seabirds were circling the tiny island that sits 100 yards off of Cape Neddick Point.
I watched as the two birds circled, and timed the shot so that one bird fit the composition of the scene in the sky while the other blended into the image just above the little red shed.
New England Light, Maine Coast 2004
The bottom image was shot at dusk in what was again, perfectly warm New England light. The tiny white specs on the rocks and in the water are seabirds settling in for the night.
I will never forget stopping to ask directions from a local to the best place to eat lobster. He was out for an evening walk and did everything short of drawing me a map, going well out of his way to make sure that I knew exactly where I was going before I pulled off.
To me, these are true examples of America…and, btw, the lobster was unbelievable.
When most people look at the ocean they see the waves as they ebb and flow. Although most find it enjoyable to the senses, something additional happens to me. I tend to follow the actions of the
Ebb and Flow, Deerfield Beach 2013
waves as they come ashore and then again as they retreat back out. I also gravitate to those sea shores that contain rocks, piers or any other solid structures around which the water must traverse. I visually slow the motion of the water down in my mind’s eye and foresee the beautiful form it takes as it surrounds the rocks or pylons in its way.
Time and Tide Wait For No Man, Deerfield Beach, FL 2013
Using a tripod during the dawn or dusk hours I can capture the slowed down motion of the water as it crests and eventually hits the beach and returns from whence it came. Seeing the scene in advance helps me create the final image and timing is everything.
I am sure that for all eternity, one of my favorite forms of art…will be that of the Sea.
Another black and white image of water flowing downward over and around hard granite rock in the beautiful state of Colorado. Although I usually stay away from even the slightest political
Granite Flow, Boulder, Colorado 2008
reference in my photography, it’s becoming increasingly difficult to achieve considering the way things are going, which certainly wouldn’t be described as smooth.
Notwithstanding, in my work I always try to concentrate on the natural beauty that has (so far) survived all that has occurred around it. This image was created on a rainy day, just outside the classic Colorado city of Boulder. The muted sky allows for the tripod mounted camera’s shutter to remain open long enough to slow down the motion of the water and the rain emphasizes the sharp detail of the granite rock.
Here’s to hoping things around us flow more smoothly going forward… although as I hear myself write it, I recognize just how hard it will be to achieve.
A classic black and white image of a mighty river flowing downward in Rocky Mountain National Park, Colorado.
Downward Flow, Colorado 2010
After a particularly snowy winter, the melting runoff created a powerful flow down river. Captured using a tripod from a bridge over the river, the slow shutter speed caught the motion of the rushing water as it made its way around boulders and fallen trees.
Happy New Year 2017
Torch Run, New Years Eve, Keystone, CO 2007
An image that has always represented the celebration of the New Year to me was capturing the “Torch Run” on the slopes of Keystone, Colorado on New Years Eve ten years ago this year. As the clock struck midnight, skiers, holding red flares, slowly came down the slope in a wide “S” formation. The resulting scene was spectacular to behold live.
Due to the darkness of night and the motion of the skiers, it took quick experimentation to capture just enough blur to show the movement, while maintaining enough detail to see some of the individual skiiers holding up their flares.
This was clearly an image I pictured in my mind before taking it, and had set up my tripod at the bottom of the mountain at the correct angle to capture the snaking skiers.
Here’s hoping the future year…is a bright one, I could certainly use one about now.
Wishing you and yours a happy holiday season…
White Christmas, Rockefeller Center, NYC 2009
As if on cue, while visiting Rockefeller Center during the holidays in 2009, the snow began to fall over this iconic scene. Backing up behind the row of trumpeting angels, I shot this familiar, but still magical, view.
It was lucky that I got this shot when I did. The next year I went back their was a photographic set up at this spot, with a long line of tourists willing to pay big bucks to have their photo taken in front of this scene.
Lesson learned, always capture the classics when they come up, you never know if…or when they will ever be available again.